Sixty percent of the way through November and Thanksgiving is just days away. Since I just took a blogging hiatus in the past ten days for Philcon, I'm not going to take an extended hiatus for Thanksgiving. However, I will forgo a post on Thanksgiving itself. So, the only post between this one and next week's Sunday Links will be one on Monday.
While plenty of writers are deep into writing a first draft of a novel for NaNoWriMo, I'm tentatively re-exploring last year's NaNo project, both by re-reading it myself and getting feedback from a reader. This is both exciting ("Yay! It's no longer just sitting gathering electronic dust on my hard drive!") and a bit daunting ("Ugh! It's kind of a mess with little bits and pieces hanging off here and there which need either fully integrated or lopped off."). I think the only way it's going to turn into something truly readable is for me to re-outline it. Large chunks will end up getting completely rewritten, I'm sure. On the bright side, as I was reading it there were moments here and there where I thought to myself: "Hey, that works rather well!" So, even though it was written by someone newly back to writing who had never written a novel before, there's that, I suppose.
If you're doing NaNo this year, I hope that you're enjoying yourself. I'm glad I'm not doing it again this year, but I think I may plan on having a novel-length project ready to tackle during November 2013.
For now, here are this week's writing-related links as well as a link to my own blog post from this week:
Showing posts with label Critiquing. Show all posts
Showing posts with label Critiquing. Show all posts
Sunday, November 18, 2012
Sunday, July 8, 2012
Sunday Links: July 8th, 2012 Edition
Another busy week around here both in terms of keeping up with my daily writing routine and in terms of non-writing parts of my life. I ended up having to reschedule my revision day away from this past Friday since I had another (fun and important, but time-consuming) obligation for another weekday around the same time and I couldn't justify scheduling two days off work in such a short span of time. I'll look to try to fit my revision day in sometime soon, though, since I really do want to try to get some of these stories cleaned up and ready to go out to the door.
Here are the links I've collected for this week. If you've come across a recent link which you'd like to share, please mention it in the comments, as I always love seeing new and interesting information about writing and fiction in general.
This week's links are past the jump...
Here are the links I've collected for this week. If you've come across a recent link which you'd like to share, please mention it in the comments, as I always love seeing new and interesting information about writing and fiction in general.
This week's links are past the jump...
Monday, July 2, 2012
Can Praise Be Damaging?
My Monday Motivation post today on the Write Every Day blog was based on a quote from Mark Twain about avoiding people who belittle your ambitions. There was a very interesting reply comment which read (in part, with emphasis added by me):
When I read that my first reaction was along the lines of "Huh. I wonder why extreme positivity would be so bad." But it actually only took me a minute or so to come up with a few possible scenarios.
The one that speaks most to me is that there's a risk in being too willing to listen to the people that give unconditional praise of my work. After all, if two people are talking to me about a story I've written and one says "Oh my gosh, it's the best thing ever!!!" and the other says "Meh. Well, I liked this and this but that and that need some work." then it's a heck of a lot easier to only listen to the first person. But there are plenty of times when that will lead to slightly lazy, slightly sloppy work going out on submission, which isn't where you want to be going if you're trying to succeed at the top-level markets.
But then again -- here's where it gets really tricky -- sometimes listening to the first person is the right thing to do. Maybe the story as written would be "better" than the story as revised to meet the second person's preferences. After all, every single story that's ever been written will have a certain percentage of readers who simply don't like it. I've seen stories nominated for major awards get absolutely shredded by readers. Not because they're contrary or "didn't get it" or anything like that. It just won't have hit their fiction-loving buttons.
So judgement is required. You have to know when to trust your gut and which opinions to trust when you're getting feedback on your work. And this ties back to the original statement, too. If someone is always positive about your work, if they just love every word you've ever written... Then they're not helpful as someone to provide feedback on your work because you already know what they're going to say.
Are there other ways than these that you've found praise for your writing to be damaging?
"I try to avoid extreme negativity about me or my ventures (and also extreme positivity). Both can burrow into your heart and paralyze you."
When I read that my first reaction was along the lines of "Huh. I wonder why extreme positivity would be so bad." But it actually only took me a minute or so to come up with a few possible scenarios.
The one that speaks most to me is that there's a risk in being too willing to listen to the people that give unconditional praise of my work. After all, if two people are talking to me about a story I've written and one says "Oh my gosh, it's the best thing ever!!!" and the other says "Meh. Well, I liked this and this but that and that need some work." then it's a heck of a lot easier to only listen to the first person. But there are plenty of times when that will lead to slightly lazy, slightly sloppy work going out on submission, which isn't where you want to be going if you're trying to succeed at the top-level markets.
But then again -- here's where it gets really tricky -- sometimes listening to the first person is the right thing to do. Maybe the story as written would be "better" than the story as revised to meet the second person's preferences. After all, every single story that's ever been written will have a certain percentage of readers who simply don't like it. I've seen stories nominated for major awards get absolutely shredded by readers. Not because they're contrary or "didn't get it" or anything like that. It just won't have hit their fiction-loving buttons.
So judgement is required. You have to know when to trust your gut and which opinions to trust when you're getting feedback on your work. And this ties back to the original statement, too. If someone is always positive about your work, if they just love every word you've ever written... Then they're not helpful as someone to provide feedback on your work because you already know what they're going to say.
Are there other ways than these that you've found praise for your writing to be damaging?
Sunday, June 17, 2012
Sunday Links and the Week in #storyeachnight/#poemeachnight: June 17th, 2012 Edition
And another week has come and gone. Where does the time go?
Here are the stories and (starting on Saturday June 9th) poems from this week. Putting this together, I realize it's gotten to be a fairly large block of text. I'll have to give some consideration to whether I keep creating this summary every Sunday. The most recent week or so of everyone's #storyeachnight and #poemeachnight tweets should usually be available to review on Twitter.
6/10 - Story: "Immersion" by Aliette de Bodard from CLARKESWORLD #69. Intricate story of culture and the lengths some choose to go to so they can feel like they belong. Poem: "I Know A Man" by Robert Creeley from THE VINTAGE BOOK OF CONTEMPORARY AMERICAN POETRY. A very short poem and sort of fascinating. Four terse verses, each of which short enough that they could be a tweet. Also includes word reductions such as "sd" for "said" and "yr" for "you're." This poem is ~ 50 years old, best as I can tell but if you showed it to me and told me someone had just tweeted it, I wouldn't have batted an eye. Utterly fascinating.
6/11 - Story: "Spring-Fingered Jack" by Susan Casper from 100 HAIR-RAISING LITTLE HORROR STORIES. A story of video-game violence which seems as if it must have been ahead of its time (1983), predicting future hyper-violent games. Poem: "Early Elegy: Smallpox" by Claudia Emerson from the June 2012 issue of POETRY MAGAZINE.
6/12 - Story: "Light in the Darkness" by Sir Andrew Caldecott from NOT EXACTLY GHOSTS. A nicely atmospheric tale of skepticism and curses in a foreign land. I'm looking forward to reading more of these stories by Sir Caldecott. Poem: "Onions" by William Matthews from VBOCAP. This is the type of poem that makes me feel like I don't understand poems. Some interesting imagery near the end around how onion smell lingers on the skin but overall I felt like I missed his point.
6/13 - Story: "The Magician of Words" by Ruth Nestvold from DAILY SCIENCE FICTION. Wonderful poetic story with great imagery. Poem: "On the Ice Planet" by Julia Rios from NEW MYTHS Issue #19. Paints its setting & character well.
6/14 - Story: "Her Words Make It Go Away" by Michael Penkas from ONE BUCK HORROR Issue #5. Well written flash horror story. Poem: "The Physics of Age and Baseball" by Greg Beatty from STAR*LINE 34.4. Nicely done with astronomical effects of gravity used as metaphor for the effects of aging on an athlete's body. Plus -- baseball poetry!
6/15 - Story: "Heaven's Touch" by Jason Sanford from the 8/12 ASIMOV'S. A fantastic story, strong narrative voice and characters. A well-crafted and involving plot, too. One of the best stories I've read recently. Poem: "My House of the Future" by G. O. Clark, also from the 8/12 ASIMOV'S. Fun, whimsical verse about just what the title suggests.
6/16 - Story: "Chinvat" by Sunny Moraine from SHIMMER #14. A ruined Golden Gate bridge and the beings who visit it are key. Poem: "The Night Mirror" by John Hollander from VBOCAP. Vivid images in this poem -- glimpses of an unbalanced mind?
And now, the links:
Here are the stories and (starting on Saturday June 9th) poems from this week. Putting this together, I realize it's gotten to be a fairly large block of text. I'll have to give some consideration to whether I keep creating this summary every Sunday. The most recent week or so of everyone's #storyeachnight and #poemeachnight tweets should usually be available to review on Twitter.
6/10 - Story: "Immersion" by Aliette de Bodard from CLARKESWORLD #69. Intricate story of culture and the lengths some choose to go to so they can feel like they belong. Poem: "I Know A Man" by Robert Creeley from THE VINTAGE BOOK OF CONTEMPORARY AMERICAN POETRY. A very short poem and sort of fascinating. Four terse verses, each of which short enough that they could be a tweet. Also includes word reductions such as "sd" for "said" and "yr" for "you're." This poem is ~ 50 years old, best as I can tell but if you showed it to me and told me someone had just tweeted it, I wouldn't have batted an eye. Utterly fascinating.
6/11 - Story: "Spring-Fingered Jack" by Susan Casper from 100 HAIR-RAISING LITTLE HORROR STORIES. A story of video-game violence which seems as if it must have been ahead of its time (1983), predicting future hyper-violent games. Poem: "Early Elegy: Smallpox" by Claudia Emerson from the June 2012 issue of POETRY MAGAZINE.
6/12 - Story: "Light in the Darkness" by Sir Andrew Caldecott from NOT EXACTLY GHOSTS. A nicely atmospheric tale of skepticism and curses in a foreign land. I'm looking forward to reading more of these stories by Sir Caldecott. Poem: "Onions" by William Matthews from VBOCAP. This is the type of poem that makes me feel like I don't understand poems. Some interesting imagery near the end around how onion smell lingers on the skin but overall I felt like I missed his point.
6/13 - Story: "The Magician of Words" by Ruth Nestvold from DAILY SCIENCE FICTION. Wonderful poetic story with great imagery. Poem: "On the Ice Planet" by Julia Rios from NEW MYTHS Issue #19. Paints its setting & character well.
6/14 - Story: "Her Words Make It Go Away" by Michael Penkas from ONE BUCK HORROR Issue #5. Well written flash horror story. Poem: "The Physics of Age and Baseball" by Greg Beatty from STAR*LINE 34.4. Nicely done with astronomical effects of gravity used as metaphor for the effects of aging on an athlete's body. Plus -- baseball poetry!
6/15 - Story: "Heaven's Touch" by Jason Sanford from the 8/12 ASIMOV'S. A fantastic story, strong narrative voice and characters. A well-crafted and involving plot, too. One of the best stories I've read recently. Poem: "My House of the Future" by G. O. Clark, also from the 8/12 ASIMOV'S. Fun, whimsical verse about just what the title suggests.
6/16 - Story: "Chinvat" by Sunny Moraine from SHIMMER #14. A ruined Golden Gate bridge and the beings who visit it are key. Poem: "The Night Mirror" by John Hollander from VBOCAP. Vivid images in this poem -- glimpses of an unbalanced mind?
And now, the links:
Sunday, February 19, 2012
Sunday Links & The Week in #storyeachnight: February 19, 2012 Edition
As I mentioned last week, one routine I've picked up recently is reading a short story every day/night and tweeting about it under the #storyeachnight hashtag. I'm going to list the stories along with whatever comments I made about them on Twitter and any other thoughts that come to mind here in my weekly link roundpost post. Below are this week's stories:
2/12 - "Love Story" by Eric Frank Russell from MICROCOSMIC TALES. A general laments the impact of relationships on interstellar troop movements.
2/13 - "The Cat From Hell" by Stephen King from JUST AFTER SUNSET. A corker of a horror story about a dying man, a hitman & the titular cat. (* My favorite of the week.)
2/14 - "Angie" by Ed Gorman from FAVORITE KILLS. Crime story with an "Oh, gosh, please don't go there." climax.
2/15 - "Who Dealt?" from THE BEST SHORT STORIES OF RING LARDNER. Interesting monologue piece with an apparently clueless main character.
2/16 - "Sales Pitch" by Philip K. Dick from THE GOLDEN MAN. A satire of advertising and home conveniences gone mad.
2/17 - "This House Was Never a Castle" by Aaron Polson from issue 14 of Shimmer. A setting-drenched piece with children trying to make their way through a dangerous world.
2/18 - "The Dingus" by Gregory Frost from SUPERNATURAL NOIR. A good horror/mystery story about an ex-trainer trying to determine how a boxer he had once trained ended up dead. I'm really psyched about this Ellen Datlow-edited collection; very glad that my wife picked it up for me for my birthday!
And now, here are this week's writing-related links that I found interesting and worth sharing...
2/12 - "Love Story" by Eric Frank Russell from MICROCOSMIC TALES. A general laments the impact of relationships on interstellar troop movements.
2/13 - "The Cat From Hell" by Stephen King from JUST AFTER SUNSET. A corker of a horror story about a dying man, a hitman & the titular cat. (* My favorite of the week.)
2/14 - "Angie" by Ed Gorman from FAVORITE KILLS. Crime story with an "Oh, gosh, please don't go there." climax.
2/15 - "Who Dealt?" from THE BEST SHORT STORIES OF RING LARDNER. Interesting monologue piece with an apparently clueless main character.
2/16 - "Sales Pitch" by Philip K. Dick from THE GOLDEN MAN. A satire of advertising and home conveniences gone mad.
2/17 - "This House Was Never a Castle" by Aaron Polson from issue 14 of Shimmer. A setting-drenched piece with children trying to make their way through a dangerous world.
2/18 - "The Dingus" by Gregory Frost from SUPERNATURAL NOIR. A good horror/mystery story about an ex-trainer trying to determine how a boxer he had once trained ended up dead. I'm really psyched about this Ellen Datlow-edited collection; very glad that my wife picked it up for me for my birthday!
And now, here are this week's writing-related links that I found interesting and worth sharing...
Sunday, February 5, 2012
Sunday Links: February 5, 2012 Edition
Before getting to the rest of the links, I wanted to call out Rachael Harrie's post from a couple of weeks back announcing a mini-Campaign for writers starting tomorrow, February 6th. Her Fall 2011 Campaign was a big part of my own success as a writer last year, providing me with a lot of new friends in the writing/blogging world and giving me a lot of encouragement. I plan to sign up for this month's activities and I hope they're as much fun as last fall's.
Now for this week's links...
Additionally, here's a recap of the posts from this week on my blog:
"Final January #writemotivation wrapup" - The #writemotivation activity for January wrapped up this week and I posted a final review of where I stood with my goals for the month. I ended things on a high note by adding 2000 words to a short story in the final two days of January.
"Using a Routine" - Inspired by a blog post by Eric J. Krause I talked about writing routines and what they can do for you.
I appreciate you stopping by to check out the links. Are there any writing-related articles/blog posts you've read this week which really inspired you?
Now for this week's links...
"Scene and Structure: Make Something Happen" AND "Find Your Writing Tribe" (Daniel Swensen at Surly Muse) - Normally, I only link to one post per blogger per week. But Daniel hit it out of the park with both of these, and I couldn't decide which one to pick, so I'm breaking my "rule." In the first link, Daniel reminds us to make sure that each scene has meaning and keeps the story moving forward. In the second, he talks about the importance of having fellow writers to learn from, celebrate with and, when necessary, commiserate with. Two excellent posts from a fine blogger.
"Tips for Writing a Traditional Murder Mystery" (Elizabeth Craig guest-posting on Nicole Basaraba's Uni-Verse-City) - I thought that this post made for a nice primer on writing mysteries for those who've never tackled the genre and it also provides good reminders for those who have worked with mysteries in the past.
"Craft Thursday: Stupid Writer Tricks" (Jaye Wells) - Jaye talks about several different tricks that she uses to make sentences and paragraphs keep pulling the reader along. A nice set of tips for when you're fine-tuning your prose.
"Kind is Sometimes Cruel" (KT Hanna) - KT talks about the fact that giving a writer "kind" or "pleasant" feedback not only isn't helpful, but is actively harmful. It keeps the writer from hearing what they have to hear to move forward. And it's so easy for a writer to hear someone saying "You're doing great" and believe it, even when it isn't true. (Of course, it's also easy for a writer to hear someone saying "You're doing lousy" and believe it, even when it isn't true.) The best thing you can do is find people who will give you honest (but tactful) feedback. KT talks about some of the techniques that go into this.
"The PEST Method" (Alex Shvartsman's Speculative Fiction) - Alex talks about the four elements he takes into account when deciding where to submit his short fiction: Prestige, Exposure, Speed, and Terms. Well worth reading, especially if you're looking to submit short stories for the first time or haven't ever given much thought to how you pick where to send your stories.
"Tips for Writing a Traditional Murder Mystery" (Elizabeth Craig guest-posting on Nicole Basaraba's Uni-Verse-City) - I thought that this post made for a nice primer on writing mysteries for those who've never tackled the genre and it also provides good reminders for those who have worked with mysteries in the past.
"Craft Thursday: Stupid Writer Tricks" (Jaye Wells) - Jaye talks about several different tricks that she uses to make sentences and paragraphs keep pulling the reader along. A nice set of tips for when you're fine-tuning your prose.
"Kind is Sometimes Cruel" (KT Hanna) - KT talks about the fact that giving a writer "kind" or "pleasant" feedback not only isn't helpful, but is actively harmful. It keeps the writer from hearing what they have to hear to move forward. And it's so easy for a writer to hear someone saying "You're doing great" and believe it, even when it isn't true. (Of course, it's also easy for a writer to hear someone saying "You're doing lousy" and believe it, even when it isn't true.) The best thing you can do is find people who will give you honest (but tactful) feedback. KT talks about some of the techniques that go into this.
"The PEST Method" (Alex Shvartsman's Speculative Fiction) - Alex talks about the four elements he takes into account when deciding where to submit his short fiction: Prestige, Exposure, Speed, and Terms. Well worth reading, especially if you're looking to submit short stories for the first time or haven't ever given much thought to how you pick where to send your stories.
Additionally, here's a recap of the posts from this week on my blog:
"Final January #writemotivation wrapup" - The #writemotivation activity for January wrapped up this week and I posted a final review of where I stood with my goals for the month. I ended things on a high note by adding 2000 words to a short story in the final two days of January.
"Using a Routine" - Inspired by a blog post by Eric J. Krause I talked about writing routines and what they can do for you.
I appreciate you stopping by to check out the links. Are there any writing-related articles/blog posts you've read this week which really inspired you?
Sunday, December 18, 2011
Sunday Links: December 18, 2011 Edition
After today there are 13 more days before we turn the page from 2011 to 2012. A lot of people are thinking about goals for next year. A couple of efforts along these lines have cropped up in the twitter-blog-o-verse recently. I heartily endorse both (for whatever that's worth). @kthanna and @I_Am_LadyJai are leading the charge for #writemotivation and @caramichaels is rounding up people looking to write 500 words on their works-in-progress every day via #WIP500.
Speaking of goals, this is a good time to talk about my December goal progress.
1) Write and submit a new short story for each weekend in December. On-pace and I think I'll be in good shape for the next two weeks as long as I don't let the holiday weekend trip me up!
2) Keep my regular blogging schedule with the exception of a possible Christmas weekend hiatus. On-pace. As mentioned last week (and below) I will indeed be taking a Christmas weekend hiatus.
3) Make decisions on how to proceed with four stories written earlier this year which are not yet on submission and act on those decisions. Some progress. First of all, it's three stories -- not four. I don't know where I got the count of four from... Of the three, I've taken a last pass through one and gotten it out the door. Another, I've decided what I want to do next with it. But it involves trying to trim about 1000 words or 20%. Eek. The third one, I think has a decent core but needs a lot of work. I'm still struggling to decide what to do with it.
4) Read at least fifty short stories which are new to me. Slightly behind pace. At 50% complete but we're about 60% of the way through the month. No excuse for not finishing this one up, though.
5) Draft January goals to align with my second pass through "Adrift." Already done.
And now, on to the links...
Speaking of goals, this is a good time to talk about my December goal progress.
1) Write and submit a new short story for each weekend in December. On-pace and I think I'll be in good shape for the next two weeks as long as I don't let the holiday weekend trip me up!
2) Keep my regular blogging schedule with the exception of a possible Christmas weekend hiatus. On-pace. As mentioned last week (and below) I will indeed be taking a Christmas weekend hiatus.
3) Make decisions on how to proceed with four stories written earlier this year which are not yet on submission and act on those decisions. Some progress. First of all, it's three stories -- not four. I don't know where I got the count of four from... Of the three, I've taken a last pass through one and gotten it out the door. Another, I've decided what I want to do next with it. But it involves trying to trim about 1000 words or 20%. Eek. The third one, I think has a decent core but needs a lot of work. I'm still struggling to decide what to do with it.
4) Read at least fifty short stories which are new to me. Slightly behind pace. At 50% complete but we're about 60% of the way through the month. No excuse for not finishing this one up, though.
5) Draft January goals to align with my second pass through "Adrift." Already done.
And now, on to the links...
Sunday, October 30, 2011
Sunday Links: October 30th, 2011 Edition
I've been mentioning NaNoWriMo during each of these Sunday Link posts in October, now the time is almost at hand. I still have a bit of work I'd like to get done as prep work, but I have a reasonably good feeling about where I stand. Hopefully a week from today I'll still be feeling optimistic. Anyone who wants to be a writing buddy on the site and hasn't found me there yet can add me as a buddy via my NaNo site profile.
In addition to the good news I got earlier this week about my story being accepted as one of the winners for the October Kazka Press Flash Fiction contest I also heard today that my story "My Name is Imago Montoya..." finished in 8th place in the second Platform-Building Writers' Campaign challenge. Woo-hoo! Thanks to Saba from Of Thoughts and Words, Margo Kelly, and Janice Seagraves from Janice's Home for donating the prizes which I won and to Rachael Harrie and all the others who volunteered to coordinate the challenge.
Now for this week's links!
In addition to the good news I got earlier this week about my story being accepted as one of the winners for the October Kazka Press Flash Fiction contest I also heard today that my story "My Name is Imago Montoya..." finished in 8th place in the second Platform-Building Writers' Campaign challenge. Woo-hoo! Thanks to Saba from Of Thoughts and Words, Margo Kelly, and Janice Seagraves from Janice's Home for donating the prizes which I won and to Rachael Harrie and all the others who volunteered to coordinate the challenge.
Now for this week's links!
Monday, October 17, 2011
Good Idea/Bad Idea Tips for Working With a Critique Partner, Part One
Something new that's been added to my writing toolbox in recent months is working with a critique partner. In years past, when I was writing, I might show a story or two to a friend or a family member. They might or might not see some things that they thought I should change.(*) But, it was a very ad-hoc thing and I wasn't necessarily showing my stories to people in a good position to comment on stylistic flaws they might have.
(*) Once, my wife found a doozy of a typo. This was four or five years ago and I think she still brings it up from time to time. A character who had a bit of a drinking problem was trying to convince another character that he had not over-imbibed that night. "Only one or two bears, I swear!" he told the other character. Heh. Whoops!)
A critique partner (CP sometimes from here out) can help you with any number of things about your writing, from catching the typos that have slipped by spellcheck and your own re-reading to pointing out serious logic flaws. I've put together some tips for working with a critique partner to make sure that both you and your partner have a pleasant experience. Today's installment will talk about receiving critique. The next installment will talk about giving critique. For each tip, I've put together a quick "Good Example"/"Bad Example" pair that I hope will illustrate the tips.
(*) Once, my wife found a doozy of a typo. This was four or five years ago and I think she still brings it up from time to time. A character who had a bit of a drinking problem was trying to convince another character that he had not over-imbibed that night. "Only one or two bears, I swear!" he told the other character. Heh. Whoops!)
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| It's important to listen to your Critique Partner. (Photo courtesy: murielle) |
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