Sunday Links: December 9, 2012 Edition

Earlier this week I discovered that my story released earlier this year by Daily Science Fiction ("Scraps") was reviewed very favorably by Diabolical Plots. In fact, "Scraps" was the only one out of the 20 or so stories published by DSF in October of this year which the Diabolical reviewers chose to grant "Recommended" status. While reviews are one of those things which writers can't control and have to learn to accept for what they are, I can't deny that it was pleasing to read such a favorable review.

Here are the writing-related links which I've come across this week which I wanted to share:

Five Writing Prompts to Die For: Guest Post by Kathryn Jones

We're down to two weeks until All Hallows' Eve and All Saints' Day, so with thoughts of the turning of the year and spirits and such on peoples' minds, it seems an apt time for a list of writing prompts tuned to the season.

Kathryn Jones, author of the new mystery "Scrambled" is here to provide us just such a list. Thanks, Kathryn!

Five Writing Prompts to Die For
By
Kathryn Jones

If you're feeling near death when it comes to starting that new writing project, never fear, a writing prompt might just be your answer to new life--maybe even the next best-selling novel.

And why not?

Many writing prompts have delivered a short story, a novel, even some poetry. And I love that I can move through what moments before seemed like a fortress.

In line with Halloween, you'll want to try the following five writing prompts--whether you're writing a mystery, a horror novel or the next romance. Here they are in no particular order.

1. Grab a flashlight and take a short walk around your neighborhood. You don't need to walk alone, but make sure your buddy is the type that can enjoy his/her surroundings silently. Then, when you return home, record your feelings. This exercise is great when you also are focused on remembering the five senses: sight, touch, sound, smell and taste.
2. Make a visit to a cemetery and record some of the names you see on the tombstones. Based on what is written on the gravestone, create a character. Not everything on the tombstone is birth and death related. Maybe you see that someone was "a little angel" and that triggers a particular character trait. Maybe just the name of the person on the gravestone is enough. 
3. Dress up in Halloween attire and go out to eat. The dress up prompt works best when you don't hit the restaurant on Halloween but a night leading up to it. All those who join you must dress up, too. Observe how you are treated. Take special notice of stares and laughter. Take notes of what you hear and feel.
4. Choose your favorite Halloween story and randomly point to various words. Once you've gathered 10, begin a new story using those words.
5. Travel back in time. Recall a time when you were fearful and write about it. The experience could be anything--from someone following you in their car, to a death of a loved one. Just let fear be your guide.

As a writer, writers' block can be moved quickly and easily with writing prompts. Hopefully, the ones above have assisted you in getting out of the grave.

"Special Ops" is Live on the Ray Gun Revival Site

My short story "Special Ops" was posted today on the Ray Gun Revival website. This was one of the first stories I wrote when I returned to writing fiction last summer. As I recall, it was inspired in part by having listened to a collection of Ian Fleming's James Bond short stories on audiobook and thinking about how a Bond-esque story might play out in science fiction.

Earlier this year RGR sent me a response to the version of the story I had sent to them saying that they liked certain aspects of the story but didn't like certain other aspects as well. If I'd give it a rewrite, they would take a second look at it.

The rewrite ended up being fairly involved but (as I so often say about my stories) I have a fondness for this story and I was more than happy to take another crack at it. The revised version struck me as being better and, fortunately, the editorial staff of RGR agreed.

I hope you enjoy reading "Special Ops." If you read it, you can comment on their site and/or here -- either way, I'll make sure to check out your comments.

While I'm here, since it's getting close to mid-month, I'm going to do a quick June Goal status check.

Sunday Links and the Week in #storyeachnight: June 10th, 2012 Edition

Before I get to anything else, here are two short fiction-related links I hope lots of people see.

First, I've got a new gig! I'm one of the associate editors for UFO - Unidentified Funny Objects -- an Anthology of Humorous Science Fiction and Fantasy. Submissions open on July 1st; the guidelines are here. I'm hoping to see a lot of fantastic stories come through for consideration.

Second (and more time critical), there is this Kickstarter for Fireside Magazine. I read the first issue, which had stories by Ken Liu, Tobias Buckell, Chuck Wendig, and Christie Yant. I enjoyed it quite a bit and I'm looking forward to reading the second issue, which is in fact what is being Kickstarted. Fireside is aiming to pay its writers substantially better than the minimum pro rate for short fiction. Conceptually, that should be good for both writers and readers of the magazine since, over time, Fireside should see a very high caliber of stories being submitted if they can pay those rates. I really hope to see this magazine succeed -- again, both as a writer and as a reader.

Along with #storyeachnight, I've started #poemeachnight on Twitter. (This all sprang from Ray Bradbury's advice to writers that they read a story, a poem, and an essay each day. Nicole Cushing got the ball rolling with #storyeachnight and I've added the poems.)

Here are the stories and (starting on Saturday June 9th) poems from this week.  Below the jump will be writing-related links for the week.

6/3 - "The Princess and the Monster" by Ryan Creel from DAILY SCIENCE FICTION (@dailysf). The beginning of the story didn't exactly win me over but the end totally surprised me and brought a grin to my face. Glad I stuck with it.
6/4 - "An Open Letter in Defense of Our Alien Overlords" by Katherine Heath Shaeffer from DAILY SCIENCE FICTION. I had some trouble getting into it, maybe due to not much sense of POV "character." Ending wasn't really satisfying either, to me.
6/5 - "One-Way Ticket" by Nigel Brown from INTERZONE 239. An interesting twist on a familiar trope. Well done.
6/6 - "Kaleidoscope" from THE VINTAGE BRADBURY. Interesting study of characters in a hopeless situation. I was dumbfounded by the similarities to the end of John Carpenter's 1974 movie DARK STAR. (RB's story is from 1951.)
6/7 - "The Watchful Poker Chip of H. Matisse" by Ray Bradbury from THE VINTAGE BRADBURY. This is a seriously weird, tripped-out story. I liked it though it was nothing like I expected.
6/8 - "Grand Tour" by Chris Willrich from the 5-6/12 F&SF. Family dynamics, independence and travel are major themes.
6/9 - Story: "Immersion" by Aliette de Bodard from CLARKESWORLD #69. Intricate story of culture and the lengths some choose to go to so they can feel like they belong. Poem: "Brazil, January 1, 1502" by Elizabeth Bishop from THE VINTAGE BOOK OF CONTEMPORARY AMERICAN POETRY (hereafter, VBOCAP). The title alludes to the Portuguese landing at Rio de Janeiro.

And now, the links:

Reading What You Write

In many of my recent Sunday Links posts I've talked about #storyeverynight, a Twitter hashtag that Nicole Cushing started and I picked up on. The concept is very simple. Read a short story every day/night and tweet about what you read. From talking to Nicole, this was inspired by a statement of Ray Bradbury's that a writer should read a poem, a story, and an essay every day. For now, I'm "just" trying to fit in the story. I could definitely see trying to add the poems at some point. It's been a long time since I read any poems (quite possibly since I was last assigned to do so for a class) and it's a form that I'd like to reacquaint myself with. Maybe I'll find that it resonates with now-Me. Maybe not.

Getting back to the daily story-reading... I'm a firm believer that reading, particularly within the genres you want to write, is an important input into the writing process. This could either be a genre that you already have a reasonable amount of familiarity with or a genre which you want to write in, even though you're not particularly familiar with it. I think there's also benefit to branching out and reading things that are beyond what you're specifically interested in writing. There are slightly different benefits from each of those.

"Great-Uncle's Visit" - A One Sentence Story

Twitter is a heck of a lot of fun sometimes. I know a lot of really cool writers there and though I haven't spent as much time keeping up on things the past week or two as I usually do, I somehow managed to not quite entirely miss out on the #1ss hashtag conversation which popped up last week. 1ss stands for "One Sentence Story" and began with Alex Shvartsman finding a sentence unbearably long when he was critiquing a piece by Anatoly Belilovsky. That sentence spawned a conversation which spawned a challenge and -- voila -- the #1ss hashtag! Writers were challenged to create the most interesting story consisting solely of one sentence.

M. Bennardo has kindly put together a list of all the resulting stories which were made publicly accessible for everyone's reading pleasure.

As far as my attempt, it is below.

Originally I had thought about trying to add a massive Degree of Difficulty aspect to mine by having the first word start with "A", the second with "B" and so on with repetition (or reversal if I wanted the real challenge of putting two "Z" words back-to-back) until done. So, that story might have started "After being certain David escaped from Galt House..." But my attempts at that proved too contrived and I abandoned that idea for the one which turned into the following story. According to Google Docs, it's 334 words long. (Good luck diagramming this sentence!)

Without further ado, let's slip back in time a bit and eavesdrop while a boy patiently listens an elderly relative during...

Great-Uncle's Visit

These things which we have discussed happened far in the distant past, back beyond your father’s day and his father’s day and that of his father’s father, back so far that when anyone tells these stories today they always begin the telling with “This legend” or “This myth” or “This fairy tale” but as I have told you such descriptions are themselves the myths, themselves the fairy tale, as all of these happenings were real and all of these things I spoke of are as real as you are -- as real as I am, even -- and should not be consigned to the category of stories with which to amuse; rather, these stories should be ones to catch the breath and prickle the skin and worry the soul for they are the real history of our world and the things which walk among us all and if the power of these creatures pales somewhat in light of modern technology, a position which I hope you will pardon me if I find somewhat lacking since this newfangled television which you are always watching with its Howdy Doody and its Mickey Mouse Club and its Davy Crockett is not as wonderous as a djinn (though the real Crockett was indeed a fearsome man and I know full well that he would understand the import of these histories which I am sharing with you) and neither are the most modern firearms any more deadly than a ravening pack of ghouls or ogres but even were I to concede that these creatures are no longer the most powerful forces on Earth that would not be the same as to say that they were powerless for, indeed, nothing could be further from the truth and I speak not just from a theoretical perspective but from one which is all too personal and so I ask you for the last time, boy, would you please keep that damnable pizza away from me -- the garlic gives me hives!

"Gravity's Pull" eBook Live on Amazon

I have been thinking for months about starting to do some self-published eBooks through Amazon and/or other sites. Recently, I decided to go ahead and take the plunge.

"Gravity's Pull" is one of the first short stories I wrote last summer. It's a hard science fiction "problem" story of the kind that I associate with Analog. The blurb I wrote for it on Amazon reads as follows:

Camilla is beginning her first tour of duty as a crew leader and is expecting a routine three months on the GT Donald Ademu, a gravity tractor ship assigned to change the trajectory of an asteroid. An unexpected development jeopardizes the lives of her and her crew as well as many other people. Camilla and the two others on-board race to find a solution in "Gravity's Pull."

I plan to post several blog entries in upcoming weeks talking in more detail about the ePublishing process. For now, I just wanted to share the news that the story is out there to be read and also share the cover art that I developed for the book.

Sunday Links & The Week in #storyeachnight: March 4, 2012 Edition

It's Sunday again! Time for me to go back and look over the short stories I read as part of my #storyeachnight reading and also highlight some writing-related links that I found particularly useful from this past week. First, here are this week's stories along with my comments on them from my #storyeachnight tweets.

2/26 - "Last Cottage" by Christopher Merkner from BEST AMERICAN MYSTERY STORIES 2011. An interesting first person plural story of greed in a small town. (* My favorite of the week.)
2/27 - "Bus Ride to Mars" by Cat Rambo from DAILY SCIENCE FICTION. I enjoyed reading it, lots of great details. If there was much plot, I missed it. That said, it's a credit to the story that I was unsure of the "point" and still liked the story.
2/28 - "The Procedure" by L. E. Elder from DAILY SCIENCE FICTION. A singularity-ish story with one of last non-AllTechs facing her future. Maybe I've just read too many similar stories, but that one really didn't grab me.
2/29 - "Frumpy Little Beat Girl" by Peter Atkins from YEAR'S BEST DARK FANTASY AND HORROR 2011. A Robert Rankin/Douglas Adams-esque fantasy about a used bookseller co-opted into trying to save the world. Fun. I've really enjoyed this anthology, almost every story I've read from it so far has been excellent.
3/1 - "Top of the World" by Bill Crider from FAVORITE KILLS.
3/2 -  "Jack Webb's Star" by Lee Goldberg from FAVORITE KILLS. From a traffic ticket to theft and murder...
3/3 - "More Than a Scam" by Dave Zeltserman from 21 TALES. Most everyone gets more than they bargained for in it.

And now, here are this week's writing-related links that I found interesting and worth sharing...

Pet Peeves: Continuity and Logic Errors

Somewhere along the line, most writers are going to be trying to convince someone (or lots of someones) to buy their story. It may be an editor, it may be readers if you go the self-publishing route. There's lots of things you don't want to do to people you're trying to get to buy your story. Making them feel bored is obviously a big no-no. Repeated typographical or grammatical errors are another one.

Something that's subtler, but a real pet peeve of mine, are errors in continuity, facts, or logic.

D. Thomas Minton Interview

Twice last year I had the opportunity to interview a writer whose story was analyzed as part of my "Dissecting the Short Story" series. It was a good experience both times and when D. Thomas Minton reached out to say that he had been pleased to see that I'd included his "Observations on a Clock" as an entry in the series, it looked like a great opportunity for another such conversation.

Michael Haynes: In the author notes for "Observations on a Clock" on your website you talked about the origin of the story. I sort of read into your comments that perhaps this story took a while to develop. Was that the case?

Writing to Prompts and Themes

Lots of short fiction publications stick to specific styles or genres of fiction. But there are also some which focus, either typically or occasionally, on prompts or particular themes. Writing for these can be great, especially if you've been feeling stuck recently. But there can be some things you might want to consider before you begin a story geared for one of those markets.

Dissecting the Short Story: "Observations on a Clock" by D. Thomas Minton

As mentioned on Wednesday, this will be the final post for now in my Dissecting the Short Story series. Remember that I won't be shy about including spoiler material in this analysis, so if you have a copy of this magazine, it might be worth your time to read it first before reading the bulk of this post.

Story:
"Observations on a Clock" by D. Thomas Minton
Published in:
February, 2012 Asimov's Science Ficton
Approximate Length:
2200 words
Presentation:
Third Person, Chronological
Summary [WARNING: Spoilers Included!]:

Dissecting the Short Story: "Maiden Voyage" by Jack McDevitt

It's been a while, hasn't it? With the Christmas weekend hiatus, I haven't run a post from my Dissecting the Short Story series in nearly a month. For anyone new to the series, the goal here is to look at a story which was sold to a pro-rate fiction market, generally one of the large digest magazines, and see what we -- as writers -- can learn from it.

As always, I won't be shy about including spoiler material in this analysis, so if you have a copy of this magazine and would be planning to read this story, it might be worth your time to read it first before reading the bulk of this post.

Story:
"Maiden Voyage" by Jack McDevitt
Published in:
January, 2012 Asimov's Science Ficton
Approximate Length:
words
Presentation:
Third Person, Chronological
Summary [WARNING: Spoilers Included!]:

The Life of a Story: Idea to Publication

I've received some questions in the comments to recent blog posts about my story-writing process. I provided replies on several specific details, but thought that the topic as a whole was large enough that it really needed its own post. So, as promised to the person who left those comments, this is that post.

First, a disclaimer. I've written about 30 stories this year, and maybe 75 or so in my lifetime. I've also never had more than a low-end semi-pro publication. So, take this advice for what it is, the comments of someone who's still striving to make a mark in fiction.  That out of the way, let's talk about what I do when writing.

Most of my stories start with a plot idea rather than a character or setting idea. Sometimes that idea is very general, other times it's quite specific -- such as the central clue of a mystery story around which everything else will depend. Where do these ideas come from?

Sunday Links: December 18, 2011 Edition

After today there are 13 more days before we turn the page from 2011 to 2012. A lot of people are thinking about goals for next year. A couple of efforts along these lines have cropped up in the twitter-blog-o-verse recently. I heartily endorse both (for whatever that's worth).  @kthanna and @I_Am_LadyJai are leading the charge for #writemotivation and @caramichaels is rounding up people looking to write 500 words on their works-in-progress every day via #WIP500.

Speaking of goals, this is a good time to talk about my December goal progress.

1) Write and submit a new short story for each weekend in December. On-pace and I think I'll be in good shape for the next two weeks as long as I don't let the holiday weekend trip me up!
2) Keep my regular blogging schedule with the exception of a possible Christmas weekend hiatus. On-pace. As mentioned last week (and below) I will indeed be taking a Christmas weekend hiatus.
3) Make decisions on how to proceed with four stories written earlier this year which are not yet on submission and act on those decisions. Some progress. First of all, it's three stories -- not four. I don't know where I got the count of four from... Of the three, I've taken a last pass through one and gotten it out the door. Another, I've decided what I want to do next with it. But it involves trying to trim about 1000 words or 20%. Eek. The third one, I think has a decent core but needs a lot of work. I'm still struggling to decide what to do with it.
4) Read at least fifty short stories which are new to me.  Slightly behind pace. At 50% complete but we're about 60% of the way through the month. No excuse for not finishing this one up, though.
5) Draft January goals to align with my second pass through "Adrift." Already done.

And now, on to the links...

Sunday Links: December 11, 2011 Edition

I got the second of my "Write 1/Sub 1" stories for the month out earlier this week. It was a short one, an entry into Alfred Hitchcock Mystery Magazine's monthly "Mysterious Photograph" contest. I've been working on a couple of other stories this week, too, though so I've gotten quite a few new words written. I also went back and took a final pass through one of the stories I'd done preliminary drafts on pre-NaNo and got it out on submission.

A quick blog announcement, I'm planning to take a brief hiatus from posting over the Christmas weekend. So that will mean no Dissecting the Short Story post on 12/23, no Sunday Links on 12/25, and no Monday post on 12/26. I'll have Wednesday posts on both 12/21 (though it won't be a DtSS preview, naturally) and 12/28. And, of course, if I have a burning desire to share something between the 21st and 28th, I may pop on long enough to put up a quick post.

And now, on to the links...

Why So Few Short Mystery Fiction Markets?

Yesterday I mentioned that I had ended up doing a bit of freewriting to start my "Write 1/Sub 1" story for last week. The path that led me there actually involved realizing I had a bit of a roadblock on the "Sub 1" side of things for the story I had started earlier in the week. That roadblock was that it was a mystery short story and, while there are literally dozens of markets which pay Pro or Semi-Pro rates for speculative fiction short stories, there is a relative dearth of markets for mystery short fiction. And the places I'd submit that particular story first all have one of my stories under consideration already. So, I set that aside for the moment, started on my freewriting, and came up with a new story. All's well that ends well.

But, darn... I like writing mystery fiction and this was a reminder of the difference in the market for fiction in the two genres. The discrepancy can be illustrated by looking at the lists of approved short fiction markets for the Mystery Writers of America and the Science Fiction & Fantasy Writers of America. Not only is the SFWA list nearly twice as long, but it includes a much healthier representation of open genre-specific publications while the MWA list includes a couple of closed markets and quite a few general-fiction listings. You can get a similar sense by querying the Duotrope writer's market website. Search for "Fantasy", "Pro" rate publications for "Short Stories" (excluding closed markets) and you get back 28 selections. Change "Fantasy" to "Mystery/Crime" and you get back 9. Ouch!

So, why is there this big gap between the two?

Sunday Links: December 4th, 2011 Edition

As part of my writing goals for December, I finished up a new short story Saturday and got it out on submission. This was the first of my "Write 1/Sub 1" stories for the month. This one ended up developing sort of interestingly. I ended up just starting freewriting with a setting and some characters and saw where it took me. That's something I basically never do, but it seems to have worked well in this case. So the lesson here is that sometimes breaking out of your existing writing routines can work well.

I also got a little pleasant surprise in my email this afternoon, word that one of my story submissions already out has moved on to a second round of consideration. Not a sale yet, but a nice little bit of encouragement for a Sunday afternoon.

And now, on to the links...

"Adrift" First Draft Complete

So here I am. Just a tiny bit under 28 days since NaNoWriMo started here in Ohio, and I've typed the last words on the first draft (very much a first draft!) of "Adrift," the working title for the project I chose for NaNo this year.

Honestly, I think I'm in a bit of a daze. Before a few months back, the longest thing I'd ever written was a roughly 9,500 word long mystery story (technically, I suppose, a novelette per "prize" definitions which tend to cut off "short story around 7,500 words). I started in late-summer/early-fall on a very half-baked novel idea which I honestly have no idea if I'll ever go back to.

But, you know, if I hadn't made that first attempt a couple of months back, I doubt I'd be sitting here typing these words now.

Dissecting the Short Story: "God Bless" by Barbara Westwood Diehl

Welcome to the new installment of my Dissecting the Short Story series. This week's entry is a timely one, being for a story set around the holiday season. As with all entries in this series, my intention here is to look at a story which was sold to a pro-rate fiction market, generally one of the large digest magazines, and see what we -- as writers -- can learn from it.

I thought this was a fantastic story and one which went in directions I would not have expected before reading it. If you have a copy of this magazine, it might be worth your time to read this one before reading my notes below.

Story:
"God Bless" by Barbara Westwood Diehl
Published in:
January, 2012 Ellery Queen Mystery Magazine
Approximate Length:
2500 words
Presentation:
Third Person, Chronological (Well, pretty much...)
Summary [WARNING: Spoilers Included!]: