Sunday Links and the Week in #storyeachnight: June 10th, 2012 Edition

Before I get to anything else, here are two short fiction-related links I hope lots of people see.

First, I've got a new gig! I'm one of the associate editors for UFO - Unidentified Funny Objects -- an Anthology of Humorous Science Fiction and Fantasy. Submissions open on July 1st; the guidelines are here. I'm hoping to see a lot of fantastic stories come through for consideration.

Second (and more time critical), there is this Kickstarter for Fireside Magazine. I read the first issue, which had stories by Ken Liu, Tobias Buckell, Chuck Wendig, and Christie Yant. I enjoyed it quite a bit and I'm looking forward to reading the second issue, which is in fact what is being Kickstarted. Fireside is aiming to pay its writers substantially better than the minimum pro rate for short fiction. Conceptually, that should be good for both writers and readers of the magazine since, over time, Fireside should see a very high caliber of stories being submitted if they can pay those rates. I really hope to see this magazine succeed -- again, both as a writer and as a reader.

Along with #storyeachnight, I've started #poemeachnight on Twitter. (This all sprang from Ray Bradbury's advice to writers that they read a story, a poem, and an essay each day. Nicole Cushing got the ball rolling with #storyeachnight and I've added the poems.)

Here are the stories and (starting on Saturday June 9th) poems from this week.  Below the jump will be writing-related links for the week.

6/3 - "The Princess and the Monster" by Ryan Creel from DAILY SCIENCE FICTION (@dailysf). The beginning of the story didn't exactly win me over but the end totally surprised me and brought a grin to my face. Glad I stuck with it.
6/4 - "An Open Letter in Defense of Our Alien Overlords" by Katherine Heath Shaeffer from DAILY SCIENCE FICTION. I had some trouble getting into it, maybe due to not much sense of POV "character." Ending wasn't really satisfying either, to me.
6/5 - "One-Way Ticket" by Nigel Brown from INTERZONE 239. An interesting twist on a familiar trope. Well done.
6/6 - "Kaleidoscope" from THE VINTAGE BRADBURY. Interesting study of characters in a hopeless situation. I was dumbfounded by the similarities to the end of John Carpenter's 1974 movie DARK STAR. (RB's story is from 1951.)
6/7 - "The Watchful Poker Chip of H. Matisse" by Ray Bradbury from THE VINTAGE BRADBURY. This is a seriously weird, tripped-out story. I liked it though it was nothing like I expected.
6/8 - "Grand Tour" by Chris Willrich from the 5-6/12 F&SF. Family dynamics, independence and travel are major themes.
6/9 - Story: "Immersion" by Aliette de Bodard from CLARKESWORLD #69. Intricate story of culture and the lengths some choose to go to so they can feel like they belong. Poem: "Brazil, January 1, 1502" by Elizabeth Bishop from THE VINTAGE BOOK OF CONTEMPORARY AMERICAN POETRY (hereafter, VBOCAP). The title alludes to the Portuguese landing at Rio de Janeiro.

And now, the links:

Reading What You Write

In many of my recent Sunday Links posts I've talked about #storyeverynight, a Twitter hashtag that Nicole Cushing started and I picked up on. The concept is very simple. Read a short story every day/night and tweet about what you read. From talking to Nicole, this was inspired by a statement of Ray Bradbury's that a writer should read a poem, a story, and an essay every day. For now, I'm "just" trying to fit in the story. I could definitely see trying to add the poems at some point. It's been a long time since I read any poems (quite possibly since I was last assigned to do so for a class) and it's a form that I'd like to reacquaint myself with. Maybe I'll find that it resonates with now-Me. Maybe not.

Getting back to the daily story-reading... I'm a firm believer that reading, particularly within the genres you want to write, is an important input into the writing process. This could either be a genre that you already have a reasonable amount of familiarity with or a genre which you want to write in, even though you're not particularly familiar with it. I think there's also benefit to branching out and reading things that are beyond what you're specifically interested in writing. There are slightly different benefits from each of those.

Following Heinlein's Rules for Writers

Science-fiction legend Robert A. Heinlein once codified five "rules" for writers who wish to improve their chances of success at publication. My favorite source for these rules is Robert J. Sawyer's page where he expands on all five and adds a sixth.

In brief, the rules are:

1. Write
2. Finish What You Start
3. Refrain From Rewriting, Except to Editorial Order
4. Put Your Story on the Market
5. Keep it on the Market Until it Has Sold
6. (Sawyer's Addition) Start Working On Something Else (To which I would add "And Try To Work At Improving Your Craft"